Way back last Spring, I picked up a little pack of auricula plantlets from the sale section of the outrageously gorgeous Sarah Raven catalogue. They looked pretty sorry for themselves when they arrived in the post but amazingly enough, I actually managed to separate the plantlets out and plant them. I say this as I have been known to buy plants and bulbs and never get round to planting them. I found just the right collection of old terracotta pots in the garden, already looking suitably interesting, vintage-y and adorned with lichen. I did as I was told and put a smattering of gravel on top of the soil but Mr Squirrel Nutkin has upended the pots many times over the Winter so the floor is now littered with little stones, as opposed to the pots.
Despite this and the fact that they have looked very uninteresting indeed for a year, and that a lot of snow sat on them in December, these auriculas are hardy little devils and seem to quite like neglect - the perfect plant for yours truly! I adore these plants, gaze at them lovingly at the Chelsea FlowerShow every year, and who would ever have thought, now I have some of my own!
Well, sorry about all that over-the-top auricula love, back down to earth and here is this week's quilty ta-dah as it feels like it's becoming a weekly thing.
I started this quilt waaaay back. The idea for the pattern came from a magazine but I changed it a bit and added borders and corner stones. The blocks in the centre are a mixture of full-on blowsy roses, little nine-patches and rail fences. I finished the top but then left it languishing for months. I had thought about giving it a soft microfleece type backing, went so far as to buy it, but it just didn't feel right. One day, I found Vorey-Puss had made a bed in the pile of fleece which sort of seemed like a sign! I see other people make quilts in this way, without batting but with a fleece blanket backing, joined envelope-style and without binding, I truly think they look very nice but something of the purist in me can't get away from traditional quilt making.
Sometimes all that sandwiching and taping and pinning and hand binding can seem laborious but in truth, it's mainly a pleasure.
This quilt top has been made largely from Jennifer Paganelli fabrics, she produces fabulous fabric ranges in the most delicious of colour palattes. I have added a Tanya Whelan rose border which I love and think goes well.
I was in my local fabric shop recently when I spotted a new bolt of pretty ditsy floral cotton and bought a few metres on impulse, but in the back of my head, this quilt top was in my mind. I think it looks really beautiful on the back, with a feature panel of the pretty rosy fabrics.
The binding is from the Jennifer Paganelli range and is just the ticket, I think, hand sewn of course, no cutting corners with machine sewing!
It is quite a sizeable quilt at about 52" square and has a cosy batting inside. I spent some time quilting it, both in a criss-cross pattern through the centre of the quilt, then outline stitching in the ditch around the borders. The problem is that I have pretty much fallen in love with this quilt but I'm sure my intention in making it was hopefully to sell it!
Oh dear!
I was tidying in my den and fortuitously came across the name patch which as you can see, I made last October. Just shows how long I have dithered over this project but I am glad, as the end result is worth it.
I have decided to see if anyone else loves this quilt and wants to re-home it as I know I have many more quilts in my mind that I want to make and will probably fall in love with too, and it really is such a pleasure to have people buy and enjoy my quilts as they do. Therefore, it's waiting for a great new home here .



























































